FREE MUSIK

Metalica Live In Mexico

2008-12-16T20:24:00.000-08:00

Disc 1

1. Enter Sandman
2. Creeping Death
3. Harvester Of Sorrow
4. Welcome Home (Sanitarium)
5. Sad But True
6. Of Wolf And Man
7. The Unforgiven
8. Justice Medley: Eye Of The Beholder/Blackened/The Frayed Ends Of Sanity/...And Justice For All

Disc 2

1. Through The Never
2. For Whom The Bell Tolls
3. Fade To Black
4. Master Of Puppets
5. Seek And Destroy
6. Whiplash

Disc 3

1. Nothing Else Matters
2. Wherever I May Roam
3. Am I Evil?
4. Last Caress
5. One
6. Battery
7. The Four Horsemen
8. Motorbreath
9. Stone Cold Crazy

http://rapidshare.com/files/2798294/Metalica_-_live_shit_binge___purge_cd1.rar
http://rapidshare.com/files/2799460/Metalica_-_live_shit_binge___purge_cd2.rar
http://rapidshare.com/files/2802059/Metalica_-_live_shit_binge___purge_cd3.rar

Muse acoustic

2008-12-14T21:19:00.000-08:00

Tracks:

1. Muse - Cave (Acoustic) (4:16)
2. Muse - Falling Down (Acoustic) (5:10)
3. Muse - Feeling Good (Acoustic) (3:15)
4. Muse - Hate this and i'll love you (Acoustic) (5:00)
5. Muse - Megalomania (Acoustic) (3:44)
6. Muse - Muscle Museum (Acoustic) (4:45)
7. Muse - Natural Disaster (Acoustic) (3:48)
8. Muse - Plug in Baby (Acoustic) (3:18)
9. Muse - Sing for Absolution (Acoustic) (4:28)
10. Muse - Space Dementia (Acoustic) (4:51)
11. Muse - Sunburn (Acoustic) (4:05)
12. Muse - Time is Running Out (Acoustic) (3:58)
13. Muse - Unintended (Acoustic) (4:08)

http://rapidshare.com/files/94853505/Muse_-_Acoustic.rar

peterpan - sebuah nama sebuah cerita

2008-12-14T19:47:00.000-08:00

Track List :
CD1 :
01. Walau Habis Terang
02. Kisah Cintaku
03. Dilema Besar
04. Mungkin nanti
05. Tak Bisakah
06. Semua Tentang Kita
07. Ada Apa Denganmu
08. Menunggumu ft Alm Chrisye
09. Menghapus Jejakmu
10. Yang Terdalam
11. Diatas Normal
12. Kupu Kupu Malam
13. Di Balik Awan
14. Ku Katakan Dengan indah
15. Tak Ada Yang Abadi

[B]CD2 :[/B]
01. Mimpi Yang Sempurna
02. Bintang Di Surga
03. Aku Dan Bintang
04. Jauh Mimpiku
05. Hari Yang Cerah Untuk Jiwa Yang Sepi
06. Menunggu Pagi
07. Khayalan Tingkat Tinggu
08. Sahabat
09. Sally Sendiri
10. Langit Tak mendengar
11. Di Belakangku
12. Kita Tertawa
13. Membebaniku
14. Cobalah Mengerti
15. Topeng

http://rapidshare.com/files/136339153/CD1.zip
http://rapidshare.com/files/136400390/CD2.zip

Silverchair - Neon Ballroom (1999)

2008-12-09T21:45:00.000-08:00

Track List :

http://rapidshare.com/files/91544287/Silverchair_-_Neon_Ballroom.rar

Silverchair - Live From Far Away Stables (2003)

2008-12-09T21:34:00.000-08:00

Act I

1. "Overture"
2. "After All These Years" (from Diorama)
3. "The World Upon Your Shoulders" (from Diorama)
4. "Tuna In The Brine" (from Diorama)
5. "Luv Your Life" (from Diorama)
6. "Paint Pastel Princess" (from Neon Ballroom)
7. "Petrol & Chlorine" (from Freak Show)
8. "Across The Night" (from Diorama)
9. "Ana's Song" (from Neon Ballroom)
10. "Miss You Love" (from Neon Ballroom)
11. "Steam Will Rise" (from Neon Ballroom)

Act II
1. "Overture"
2. "Emotion Sickness" (from Neon Ballroom)
3. "Without You" (from Diorama)
4. "Israel's Son" (from Frogstomp)
5. "Black Tangled Heart" (from Neon Ballroom)
6. "Do You Feel The Same" (from Neon Ballroom)
7. "The Greatest View" (from Diorama)
8. "The Door" (from Freak Show)
9. "Freak" (from Freak Show)
10. "Anthem For The Year 2000" (from Neon Ballroom)
11. "One Way Mule" (from Diorama)
12. "Asylum" (from The Greatest View)
13. "The Lever" (from Diorama)

Code :

http://rapidshare.com/files/74197705/S_-_LFFSCD1.rar 

http://rapidshare.com/files/74200067/S_-_LFFSCDE2.rar

Silverchair - Freak Show (1997)

2008-12-09T21:31:00.000-08:00

Track list :

"Slave"

"Freak"
"Abuse Me"
"Lie to Me"
"No Association"
"Cemetery"
"The Door"
"Pop Song for Us Rejects"
"Learn to Hate"
"Petrol & Chlorine"
"Roses"
"Nobody Came"
"The Closing"

Code :

http://rapidshare.com/files/61303434/SFS.part1.rar 
http://rapidshare.com/files/61303497/SFS.part2.rar

Silverchair - Frogstomp (1995)

2008-12-09T21:29:00.000-08:00

Track :

"Israel's Son" – 5:18

"Tomorrow" – 4:26
"Faultline" – 4:19
"Pure Massacre" – 4:58
"Shade" – 4:01
"Leave Me Out" – 3:03
"Suicidal Dream" – 3:12
"Madman" – 2:43
"Undecided" – 4:36
"Cicada" – 5:10
"Findaway" – 2:56

Code :

http://rapidshare.com/files/61300592/SF.rar

Silverchair - Diorama

2008-12-09T21:25:00.000-08:00

TrackList:

01 - Across The Night
02 - The Greatest View
03 - Without You
04 - World Upon Your Shoulders
05 - One Way Mule
06 - Tuna In The Brine
07 - Too Much Of Not Enough
08 - Luv Your Life
09 - The Lever
10 - My Favourite Thing
11 - After All These Years

http://rapidshare.com/files/18164974/Silverchair-Diorama.rar
Password: www.chilewarez.cl

Alice in Chains- MTV Unplugged

2008-12-08T22:20:00.000-08:00

Track :
1. Nutshell (Cantrell/Inez/Kinney/Staley) – 4:58
2. Brother (Cantrell) – 5:27
3. No Excuses (Cantrell) – 4:57
4. Sludge Factory (Cantrell/Kinney/Staley) - 4:36
5. Down in a Hole (Cantrell) – 5:46
6. Angry Chair (Staley) – 4:36 *
7. Rooster (Cantrell) – 6:41
8. Got Me Wrong (Cantrell) – 4:59
9. Heaven Beside You (Cantrell/Inez) – 5:38
10.Would? (Cantrell) – 3:43
11. Frogs (Cantrell/Inez/Kinney/Staley) – 7:30 *
12. Over Now (Cantrell/Kinney) – 7:12
13. Killer Is Me (Cantrell) – 5:23

http://rapidshare.com/files/24082525/AICU.rar

THE CURE - GREATEST HITS ACOUSTIC

2008-12-08T22:16:00.000-08:00

Track :

01. The Cure - Boys Don't Cry - (acoustic)

02. The Cure - A Forest - (acoustic)

03. The Cure - Lets Go To Bed - (acoustic)

04. The Cure - The Walk - (acoustic)

05. The Cure - The Lovecat - (acoustic)

06. The Cure - In Between Days - (acoustic)

07. The Cure - Close To Me - (acoustic)

08. The Cure - Why Cant I Be You - (acoustic)

09. The Cure - Just Like Heaven - (acoustic)

10. The Cure - Lullaby - (acoustic)

11. The Cure - Love Song - (acoustic)

12. The Cure - Never Enough - (acoustic)

13. The Cure - High - (acoustic)

14. The Cure - Friday Im In Love - (acoustic)

15. The Cure - Mint Car - (acoustic)

16. The Cure - Wrong Number- (acoustic)

17. The Cure - Cut Here - (acoustic)

18. The Cure - Just Say Yes - (acoustic)

Download:

http://rapidshare.com/files/50293634/Cure...part_2.rar.html

http://rapidshare.com/files/50291177/Cure-Greatest_Hits_Acoustic_part_1.rar.html

PEARL JAM - UNPLUGGED

2008-12-08T22:13:00.001-08:00

Tracks:

1. Pearl Jam - Intro (2:27)

2. Pearl Jam - Oceans (3:25)

3. Pearl Jam - Alive (5:39)

4. Pearl Jam - Black (7:30)

5. Pearl Jam - Jeremy (5:57)

6. Pearl Jam - Even flow (6:23)

7. Pearl Jam - Rockin' In The Free World (5:15)

8. Pearl Jam - Porch (7:55)

9. Pearl Jam - Garden (5:56)

10. Pearl Jam - Corduroy (4:46)

http://www.filesend.net/download.php?f=4c8...f84737503ffa3fd

HOLE - MTV UNPLUGGED

2008-12-08T22:10:00.000-08:00

Tracks:
1. Hole - Miss World (3:11)
2. Hole - Best Sunday Dress (3:05)
3. Hole - Softer Softest (3:46)
4. Hole - Drown Soda (5:58)
5. Hole - He Hit Me (3:31)
6. Hole - Asking For It (4:59)
7. Hole - Old Age (5:24)
8. Hole - Hungry Like The Wolf (1:52)
9. Hole - Doll Parts (4:09)
10. Hole - Sugar Coma (5:04)
11. Hole - Season of the Witch (Unplugged) (3:42)
http://www.megaupload.com/?d=8PV6YRW2

Silverchair - Young Modern

2008-12-08T21:37:00.000-08:00

Track List:
01. Young Modern Station [3:11]
02. Straight Lines [4:17]
03. If You Keep Losing Sleep [3:20]
04. Reflections Of A Sound [4:09]
05. Those Thieving Birds (Part 1), Strange Behaviour, Those Thieving Birds (Part 2) [7:26]
06. The Man That Knew Too Much [4:19]
07. Waiting All Day [4:28]
08. Mind Reader [3:07]
09. Low [3:48]
10. Insomnia [3:06]
11. All Across The World [4:01]
http://www.ziddu.com/download/1647343/SILVERCHAIR-YM-2007.rar.html

Slipknot All Hope Is Gone

2008-12-08T20:47:00.000-08:00

Tracklist:

1. .Execute

2. Gematria (The Killing Name)

3. Sulfur

4. Psychosocial

5. Dead Memories

6. Vendetta

7. Butcher's Hook

8. Gehenna9.

9. This Cold Black

10. Wherein Lies Continue

11. Snuff

12. All Hope Is Gone

http://www.bunalti.com-uploaded_by_idja.part1.rar/

http://www.bunalti.com-uploaded_by_idja.part2.rar/

Pass : bunalti.com

Nirvana - Sliver: The Best of the Box

2008-12-03T21:33:00.000-08:00

Track List :
1. "Spank Thru" (December 1985 Fecal Matter demo) – 3:45
2. "Heartbreaker" (March 1987 show in Raymond, WA) – 2:59
3. "Mrs. Butterworth" (Summer 1987 band demo) – 4:05
4. "Floyd the Barber" (January 23, 1988 show in Tacoma, WA) – 2:33
5. "Clean Up Before She Comes" (1988 home demo) – 3:12
6. "About a Girl" (1988 home demo) – 2:44
7. "Blandest" (June 6, 1988 studio session in Seattle, WA. Produced by Jack Endino) – 3:56
8. "Ain't It a Shame" (August 1989 studio session in Seattle, WA) – 2:02
9. "Sappy" (January 1990 studio session in Seattle, WA. Produced by Jack Endino) – 3:33
10. "Opinion" (September 25, 1990 KAOS radio show) – 1:35
11. "Lithium" (September 25, 1990 KAOS radio show) – 1:49
12. "Sliver" (1990 home demo) – 2:10
13. "Smells Like Teen Spirit" (March 1991 boombox demo) – 5:40
14. "Come as You Are" (March 1991 boombox demo) – 4:10
15. "Old Age" (September 1990 studio session for Nevermind) – 4:21
16. "Oh, the Guilt" (April 1992 studio session in Seattle, WA) – 3:25 (Also a limited edition split single in 1993)
17. "Rape Me" (May 1991 solo acoustic home demo) – 3:23
18. "Rape Me" (October 1992 studio session in Seattle, WA) – 3:03
19. "Heart-Shaped Box" (January 1993 studio session in Rio de Janeiro, Brazil) – 5:32
20. "Do Re Mi" (1994 boombox demo solo acoustic) – 4:24
21. "You Know You're Right" (1994 boombox demo solo acoustic) – 2:30
22. "All Apologies" (undated boombox demo solo acoustic, circa 1992) – 3:33

Code :
http://rapidshare.com/files/99827155/Sliver_The_Best_of_the_Box.rar

Nirvana - Trick or Treat(live)

2008-12-03T21:31:00.000-08:00

Track List :
1. Jesus Wants Me For A Sunbeam
2. Aneurysm
3. Drain You
4. School
5. Floyd the Barber
6. Teen Spirit
7. About a Girl
8. Polly
9. Breed
10. Sliver
11. Love Buzz
12. Lithium
13. Been a Son
14. Negative Creep
15. On a Plain
16. Blew
17. Rape Me
18. Territorial Pissings
19. Endless, Nameless

Code :
http://rapidshare.com/files/99028408/ntot.rar

Nirvana - Incesticide

2008-12-03T21:28:00.000-08:00

Track List :
1. "Dive" (Kurt Cobain/Krist Novoselic) – 3:55
2. "Sliver" – 2:16
3. "Stain" – 2:40
4. "Been a Son" – 1:55
5. "Turnaround" (Gerald Casale/Mark Mothersbaugh) – 2:19
6. "Molly's Lips" (Eugene Kelly/Frances McKee) – 1:54
7. "Son of a Gun" (Eugene Kelly/Frances McKee) – 2:48
8. "(New Wave) Polly" (Kurt Cobain/Krist Novoselic/Dave Grohl) – 1:47
9. "Beeswax" – 2:50
10. "Downer" – 1:43
11. "Mexican Seafood" – 1:55
12. "Hairspray Queen" (Kurt Cobain/Krist Novoselic) – 4:13
13. "Aero Zeppelin" – 4:41
14. "Big Long Now" – 5:03
15. "Aneurysm" (Kurt Cobain/Krist Novoselic/Dave Grohl) – 4:36

Code :
http://rapidshare.com/files/98200313/nin.rar

Nirvana - From the Muddy Banks of the Wishkah

2008-12-03T21:25:00.000-08:00

Track List :
1. "Intro" (December 3, 1989; London Astoria, London, UK) – 0:52
2. "School" (November 25, 1991; Paradiso, Amsterdam, Netherlands) – 2:40
3. "Drain You" (December 28, 1991; O'Brien Pavilion, Del Mar, California)(Cobain/Nirvana) – 3:34
4. "Aneurysm" (December 28, 1991; O'Brien Pavilion, Del Mar, California) (Cobain/Grohl/Novoselic) – 4:31
5. "Smells Like Teen Spirit" (December 28, 1991; O'Brien Pavilion, Del Mar, California) (Cobain/Nirvana) – 4:47
6. "Been a Son" (November 25, 1991; Paradiso, Amsterdam, Netherlands) – 2:07
7. "Lithium" (November 25, 1991; Paradiso, Amsterdam, Netherlands) – 4:10
8. "Sliver" (November 10, 1993; Springfield Civic Center, Springfield, MA) – 1:55
9. "Spank Thru" (November 19, 1991; Castle Theatre, Rome, Italy) – 3:10
10. "Scentless Apprentice" (December 13, 1993; Pier 48, Seattle, WA) (Cobain/Grohl/Novoselic) – 3:31
11. "Heart-Shaped Box" (December 30, 1993; Great Western Forum, Inglewood, CA) – 4:41
12. "Milk It" (January 7, 1994; Seattle Center Arena, Seattle, Washington) – 3:45
13. "Negative Creep" (October 31, 1991; Paramount Theatre, Seattle, Washington,) – 2:43
14. "Polly" (December 3, 1989; London Astoria, London, United Kingdom) (Cobain/Nirvana) – 2:30
15. "Breed" (December 3, 1989; London Astoria, London, United Kingdom)(Cobain/Nirvana) – 3:28
16. "Tourette's" (August 30, 1992; Reading Festival, Reading, UK) – 1:55
17. "Blew" (November 25, 1991; Paradiso, Amsterdam, Netherlands) – 3:36

Code :
http://rapidshare.com/files/98159700/nmbw.rar

Nirvana - MTV Unplugged in New York

2008-12-03T21:23:00.000-08:00

Track List :
1. "About a Girl" (Cobain) – 3:37
2. "Come as You Are" (Cobain) – 4:13
3. "Jesus Doesn't Want Me for a Sunbeam" (Kelly/McKee; The Vaselines cover) – 4:37
4. "The Man Who Sold the World" (David Bowie cover) – 4:20
5. "Pennyroyal Tea" (Cobain) – 3:40
6. "Dumb" (Cobain) – 2:52
7. "Polly" (Cobain/Nirvana) – 3:16
8. "On a Plain" (Cobain/Nirvana) – 3:44
9. "Something in the Way" (Cobain/Nirvana) – 4:01
10. "Plateau" (Kirkwood; Meat Puppets cover) – 3:38
11. "Oh Me" (Kirkwood; Meat Puppets cover) – 3:26
12. "Lake of Fire" (Kirkwood; Meat Puppets cover) – 2:55
13. "All Apologies" (Cobain) – 4:23
14. "Where Did You Sleep Last Night" (Traditional, Arranged by Leadbelly) – 5:08

Code :
http://rapidshare.com/files/98765318/nuiny.rar

Nirvana - In Utero

2008-12-03T21:20:00.001-08:00

Track List :
1. "Serve the Servants" – 3:34
2. "Scentless Apprentice" (Cobain/Grohl/Novoselic) – 3:47
3. "Heart-Shaped Box" – 4:39
4. "Rape Me" – 2:49
5. "Frances Farmer Will Have Her Revenge on Seattle" – 4:07
6. "Dumb" – 2:29
7. "Very Ape" – 1:55
8. "Milk It" – 3:52
9. "Pennyroyal Tea" – 3:36
10. "Radio Friendly Unit Shifter" – 4:49
11. "tourette's" – 1:33
12. "All Apologies" – 3:50

Code :
http://rapidshare.com/files/98177590/niu.rar

Nirvana - Nevermind

2008-12-03T21:19:00.000-08:00

Track List :
1. "Smells Like Teen Spirit" (Cobain/Grohl/Novoselic) – 5:01
2. "In Bloom" (Cobain/Nirvana) – 4:14
3. "Come as You Are" (Cobain) – 3:39
4. "Breed" (Cobain/Nirvana) – 3:03
5. "Lithium" (Cobain) – 4:17
6. "Polly" (Cobain/Nirvana) – 2:57
7. "Territorial Pissings" (Cobain/Nirvana) – 2:22
8. "Drain You" (Cobain/Nirvana) – 3:43
9. "Lounge Act" (Cobain/Nirvana) – 2:36
10. "Stay Away" (Cobain/Nirvana) – 3:32
11. "On a Plain" (Cobain/Nirvana) – 3:16
12. "Something in the Way" (Cobain/Nirvana) – 3:50

Code :
http://rapidshare.com/files/98152388/NN.rar

Nirvana - Bleach

2008-12-03T21:16:00.000-08:00

Track List :
1. "Blew" – 2:54
2. "Floyd the Barber" – 2:18
3. "About a Girl" – 2:48
4. "School" – 2:42
5. "Love Buzz" (Robbie van Leeuwen) – 3:35
6. "Paper Cuts" – 4:06
7. "Negative Creep" – 2:56
8. "Scoff" – 4:10
9. "Swap Meet" – 3:03
10. "Mr. Moustache" – 3:24
11. "Sifting" – 5:22
12. "Big Cheese" – 3:42
13. "Downer" – 1:43

Code :
http://rapidshare.com/files/98141430/nb.rar

Free Nirvana - Outcesticide II - The Needle & The Damage Done (1995)

2008-12-03T20:43:00.000-08:00

Code :
http://rapidshare.com/files/82843443/out2.rar

Nirvana - Outcesticide - In Memory of Kurt Cobain (1994)

2008-12-03T20:40:00.000-08:00

http://rapidshare.com/files/82839334/out1.rar

Tips Memilih Amplifier Guitar

2008-12-03T19:54:00.000-08:00

Untuk mempermudah bagaimana kita sebaiknya memilih amplifier guitar (GA), sepantasnya
kita mengetahui:

A. The person who use (siapa yang memainkan guitar)
B. The instrument (peralatan musik dalam hal ini type gitar)
C. The audience and the venue (pendengar, waktu dan tempat)

Dalam memilih G A yang cukup tepat sebaiknya kita berdasar pada:

1. Sebagai pemain gitar; apakah anda dalam tingkat pemula (memerlukan practice amp atau ampli buat bermain gitar di kamar), menengah atau profesional? Atau apakah sebagai pemain anda memiliki target (masuk ke dunia rekaman, ingin seperti banyak guitar player kelas internasional, ingin memiliki ciri khas dan lain sebagainya)
2. Musik apa yang anda senangi dan (ingin) anda mainkan?
3. Atau dapat juga anda memandang bermain gitar sebagai hobby
dan atau memiliki gitar,efek dan amplifier untuk koleksi yang mana anda mulai dapat
disebut sorang kolektor

Langsung pada bahasan Gitar amplifiernya : 1.Sistem Amplifier sebagai "pemberi, penambah karakter" atau "warna" suara
2. Amplifier sebagai "penguat sinyal" dalam hal ini sinyal suara
3. Gitar Pre amp dapat juga dikatakan sebagai "efek" karena biasanya kita
mengharapkan "warna" atau ciri suara yang berbeda dari pre amp tersebut (misal drive atau distortion effect)... dan beberapa jenis efek juga dapat dijadikan "pre amp" walaupun tentu saja dengan
tingkat atau kapasitas penguatan sinyal yg berbeda
4. Desain Amplifier pada umumnya mempunyai target : penguatan sinyal suara yang
seperti aslinya atau semirip mungkin dng input/sumber nya.. Sedangkan desain Guitar
amplifier lama kelamaan juga sangat mementingkan "pemberian karakter".. ciri
khas yang sesuai dengan :perkembangan musik yang banyak dimainkan, selera/taste
atau jenis musik yang sedang menjadi tren ..
5. G A dalam arti Guitar dan anplifier nya dapat dikatakan satu kesatuan sebagai suatu instrumen musik
6. G A pada dasarnya saat ini terbagi menjadi 4 yaitu
a. Tubes Guitar amplifier
b. Solid state G A dan
c. Hybrid i mana komponen elektronik utamanya terdiri dari baik tubes (tabung
elektron) maupun solid state (transistor atau IC Integrated Circuit)..
d. Akustik G A : Pada masa kini hampir semua industri G A besar memproduksi
jenis ini.. perbedaan terutama pada tone control, impedansi (dari pick up) yg sebaiknya “diterima” oleh amp jenis ini dan adanya horn atau tweeter.

Secara singkat :
Amp Solid state (Amp S S ):
secara pembuatan: Amp S S relatif lebih ringan dan kecil (karena normalnya tidak
memerlukan Power tranformator yang besar dan tidak memerlukan output trafo (trafo
yang bekerja ke speaker), juga transistor apalagi IC jauh lebih kecil dibanding tabung
electron.

Harga : kecuali beberapa type tertentu Amp S S relatif harganya lebih terjangkau ,,
karena IC dan transistor jauh lbh banyak terdapat di pasaran, dan karena beberapa
sebab lain.

Secara pemeliharaan dan pemakaian : Amp S S lebih mudah karena tidak memerlukan
"posisi stand by" atau pemanasan terlebih dulu..transistor juga relatif mempunyai "usia
pemakaian" yang jauh lebih panjang, dibandingkan dengan tabung yang semestinya
secara berkala diganti..

Dalam hal repair: Amp S S relatif lebih tidak "berbahaya"/ "dangerously" karena pada
umumnya bekerja dengan tegangan listrik/voltage rendah antara 15 hingga 55 volt arus
searah dibandingkan Tube amplifier yang bekerja antara 160 hingga 325 volt pada
bagian pre amp dan 340 hingga 600 volt arus searah pada bagian power amp nya.. Juga
beberapa komponen seperti Electrolyt condensator (Elco) pada bagian pengubah arus
bolak balik menjadi arus searah masih menyimpan arus yang cukup besar dalam waktu
yg relatif lama walaupun power sudah di "off"kan bahkan stop kontak sudah dicabut!

Jadi kita "lebih baik membeli atau menggunakan Amplifier Gitar solid state ????"
Jawabannya:
beberapa polling atau sumbang pendapat [seperti yang pernah diadakan Guitar Forum
(guitarforum.biz)] mayoritas menyatakan: Tidak dan menentukan : Tube Guitar amplifier sebagai pilihan utama.
Tentu saja dengan alasan beraneka ragam.. diantaranya :

1.Kembali pada "sound" atau suara yang dihasilkan
[lebih hangat(warm), lebih menggelegar, lebih berdentang dan lain lain]
2.Seperti yang telah diutarakan di atas .. karena kebanyakan "profesional guitar
player" yang diidolakan atau kadang kadang disebut "the Guitar Heroes" tetap dan
terus memakai Guitar amplifier tabung (Tubes/Valve Guitar Amplifiers) sehingga
banyak diikuti bukan hanya permainannya bahkan juga peralatan musiknya..

Beberapa tahun belakangan seiring kemajuan teknologi terdapat pula beberapa G A
Hybrid... (yang merupakan perpaduan antara teknologi tabung elektron dengan transistor/IC/solid state), Ini dikarenakan permintaan para guitarist untuk mendapatkan "the Best of both world).Jadi agar bisa mendapatkan "suara ampli tabung" dengan 'kemudahan dan kelebihan/kapraktisan ' amplifier solid state.

Mengenai "how to get the better sound from your guitar amplifier"
Banyak yang perlu dibicarakan mengenai hal ini tetapi akan diutamakan ialah:

bagaimana kita mengerti spesifikasi dan detail / features serta dapat mempergunakan seoptimal mungkin amplifier guitar.. seperti :

a. Input, gain, volume dan master volume.
b. tone control, bass, mid, treble dsb
c. pre amp, power amp,send return (effects loop)
d. Speaker impedansi (dalam satuan ohm)
e. Stand by switch (pada amplifier tabung)
f. Reverb pada beberapa type G A
g. besar daya (watt) pada amplifier tersebut dan lain lain

Ini akan kita sambung pada kesempatan mendatang,

Addendum:

Memilih Gitar Amplifier (GA)dalam segi bentuknya (the shape of guitar amp):

1 Combo : di mana unit amplifikasi dan speaker tergabung menjadi satu unit
ada combo dengan satu unit.. Amp Combo lazimnya ber speaker 1, 2, 3 hingga
4 buah... beberapa media mengenai gitar ada yang menamakan “pigtail”
karena terlihat dengan jelas koneksi kabel ke speaker...
2. Head : Hanya merupakan satu unit amplifikasi saja yang lazimnya dikoneksikan
dengan suatu cabinet yang di dalamnya terdiri dari sebuah hingga 4, 6 hingga
8 buah speaker

3. Rack : beberapa merk G A memproduksi type ini dalam ukuran panjang 19 inci ( 48,25 cm) standar internasional di bidang sound system .
4. Mini : atau micro amp yang pada abad 21 ini, beberapa juga memproduksi amplifier dengan ukuran“bisa masuk ke tas anda”

Keterangan :
1. Combo kemungkinan type yang paling lama diproduksi dan paling banyak dipakai.
Hal ini: karena biasanya seorang ingin “secara langsung” mendengar sound dari
amplifier yang ingin dibelinya

1.Combo juga dapat dipakai di mana mana .. dari kamar indekos, panggung hingga rekaman di studio besar.dengan sound yang dihasilkan mempunyai ciri (karena bentuk kombinasi antara amplifier dan kayu kotak speaker nya tersebut.
Kekurangan bentuk “combo “ untuk para pemain “Heavy Metal”dan hard Rock lebih dikarenakan relatif “kurang tampil” seperti “wall of Guitar Sound” ..

2.Head : Istilah head ialah karena apabila G A (berbentuk) jenis ini ditumpukkan pada box atau “enclosure” speaker 2x12 in atau 4x12 in jadi seperti berkepala..
Bentuk seperti inilah yang sering dipakai oleh para guitar rocker kelas dunia.. Karena memang untuk musik berirama keras dengan drum yang berdentam kencang untuk membentuk “wall of (Rock Guitar) Sound”
Serangkai (Head dan speaker box) biasanya membentuk apa yg disebut “Stack”

Marshall SLPStack

3.Rack: atau rackmount, G A jenis ini biasanya terdapat di rangkaian “rack” di studio
rekaman pada rangkaian “rack system” beberapa gitaris yang cukup terkenal.
Kelebihannya tentu saja pada bentuknya yang 1 U yang dapat dengan mudah di
rangkaikan dengan unit unit rack lainnya seperti (echo unit, power supply & stablitzer
unit etc)

Beberapa G A bentuk combo, bahkan unit amplifikasi nya dapat dilepas sebagai satu
unit (rack) amplifier yang berdiri sendiri bahkan dpt dipasang pada suatur rangkaian
rack

4. Mini dan Micro :Akhir abad lalu dan terutama beberapa tahun terakhir ini diproduksi G A yang berukuran kecil.. dengan bentuk yg terkadang sangat berlainan dengan ke tiga bentuk di atas, bahkan juga beberapa tipe dapat memakai batterey sebagai sumber daya nya
beraneka type bahkan ada yang dapat memberi daya yg cukup pada “4 x 12 speaker “cabinet” .

Free ebook guitar

2008-12-03T19:51:00.000-08:00

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rapidshare.com/files/12084138/Sweet_home_Alabama_guitar_tabs.pdf.html
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rapidshare.com/files/12084453/T-16964323-Guitar_-_Tab_Book_-_Dream_Theater_-_When_Dream_An.pdf.html
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rapidshare.com/files/12084624/tek_sayfa_Guitar_-_Jazz_-_Scott_Henderson_-_Outside_Blues_-_.pdf.html
rapidshare.com/files/12084699/The_Doors_Guitar_Tablature_Anthology.pdf.html
rapidshare.com/files/12085253/The_Hal_Leonard_Real_Jazz_Book.pdf.html
rapidshare.com/files/12085652/The_Improvisers_Bass_Method_By_Chuck_Sher.pdf.html
rapidshare.com/files/12086107/The_Joe_Pass_Guitar_Method.pdf.html
rapidshare.com/files/12086458/The_New_Real_Book_3___With_Bass_And_Drum_Parts_-_Sheet_music.pdf.html
rapidshare.com/files/12086979/The_New_Real_Book_I.pdf.html
rapidshare.com/files/12087385/The_Real_Book_Of_Blues__225_Songs_.pdf.html
rapidshare.com/files/12087984/The_Ultimate_Fake_Book__C_Edition__2nd_ed.__Hal_Leonard__199.pdf.html
rapidshare.com/files/12088507/The_Ultimate_Fake_Book__C_Edition__2nd_ed.__Hal_Leonard__1996_.pdf.html
rapidshare.com/files/12088832/The_Ultimate_Pop_Rock_Fake_Book_A-E__ebook_.pdf.html
rapidshare.com/files/12088981/The_Ultimate_Pop_Rock_Fake_Book_L-O__ebook_.pdf.html
rapidshare.com/files/12089241/The_Ultimate_Pop_Rock_Fake_Book_P-S__ebook_.pdf.html
rapidshare.com/files/12089536/The_Ultimate_Pop_Rock_Fake_Book_T-Z__ebook_.pdf.html
rapidshare.com/files/12089931/The_World_s_Greatest_Pop_Rock_Fake_Book__477_pages_of_assort.pdf.html
rapidshare.com/files/12090010/The.Beatles.-.Revolver.-.HAL.LEONARD.-.Guitar.Tablature._14..pdf.html
rapidshare.com/files/12090095/The.Complete.Idiots.Guide.to.Songwriting.eBook-EEn.pdf.html
rapidshare.com/files/12090415/Troy_Stetina_-_Speed_Mechanics_for_Lead_Guitar__Hal_Leonard_.pdf.html
rapidshare.com/files/12090478/Troy_Stetina_-_Total_Rock_Guitar__Hal_Leonard_.pdf.html
rapidshare.com/files/12090542/Van_Halen_-_1984_Guitar_Tab_Book.pdf.html
rapidshare.com/files/12091174/Yngwie_Malmsteen_-_Eclipse__Guitar_Tab_Songbook_.pdf.html
rapidshare.com/files/12091261/Yngwie_Malmsteen_-_Guitar_Book.pdf.html
rapidshare.com/files/12091578/davul_metodlar__305_.rar.html

rapidshare.com/files/12694420/Guitar_Lesson_-_Paul_Gilbert_-_Blues_licks.part1.rar.html
rapidshare.com/files/12684109/Guitar_Lesson_-_Paul_Gilbert_-_Blues_licks.part2.rar.html
rapidshare.com/files/12684137/Guitar_Lesson_-_Paul_Gilbert_-_Blues_licks.part3.rar.html
rapidshare.com/files/12712875/Funk_And_R_B_Guitar_Method.pdf
rapidshare.com/files/12710191/Keith_Wyatt_-_Blues_Guitar_Basics__book___cd_.rar

Baron' Soulmate - Flying High

2008-11-28T22:39:00.000-08:00

TRACK LIST :

http://rapidshare.com/files/20918499/Baron.rar.html

Sex Pistols - Kiss This

2008-11-28T21:54:00.000-08:00

TRACK lIST :
1. Anarchy In The UK
2. God Save The Queen
3. Pretty Vacant
4. Holidays In The Sun
5. I Wanna Be Me
6. Did You No Wrong
7. No Fun
8. Satellite
9. Don't Give Me No Lip, Child
10. (I'm Not Your) Stepping Stone
11. Bodies
12. No Feelings
13. Liar
14. Problems
15. Seventeen
16. Submission
17. New York
18. EMI (Unlimited Edition)
19. My Way - Sid Vicious
20. Silly Thing

http://rapidshare.de/files/20007968/SexPistols_CuteWarez.ru_Epidem.ru.rar

REM - Dead Letter Office

2008-11-28T21:48:00.000-08:00

TRACK lIST :
1. R.E.M. - Crazy (3:03)
2. R.E.M. - There She Goes Again (2:50)
3. R.E.M. - Burning Down (4:13)
4. R.E.M. - Voice of Harold (4:25)
5. R.E.M. - Burning Hell (3:49)
6. R.E.M. - White Tornado (1:56)
7. R.E.M. - Toys in the Attic (2:30)
8. R.E.M. - Windout (2:00)
9. R.E.M. - Ages of You (3:44)
10. R.E.M. - Pale Blue Eyes (2:54)
11. R.E.M. - Rotary Ten (2:00)
12. R.E.M. - Bandwagon (2:17)
13. R.E.M. - Femme Fatale (2:50)
14. R.E.M. - Walters Theme (1:31)
15. R.E.M. - King of the Road (3:16)
16. R.E.M. - Wolves, Lower (4:13)
17. R.E.M. - Gardening at Night (3:30)
18. R.E.M. - Carnival of Sorts (Box Cars) (3:55)
19. R.E.M. - 1,000,000 (3:06)
20. R.E.M. - Stumble (5:40)

http://www.indowebster.com/REM_Dead_Letter_Office.html

Garasi ll

2008-11-24T23:20:00.000-08:00

Track:
01. Lelah
02. Tak Ada Lagi
03. Luna ---missing---
04. Duakan Aku
05. Salam Untuk Dia
06. Ingin Kau Kembali
07. Aggresive Trance
08. Full Moon ---missing---
09. Posesif
10. Nothing Gonna Last
11. Utsurona Kokoro (Lelah Japan Version)

Code:

http://rapidshare.com/files/130031629/Garasi_-_Garasi_II_-_01_-_Lelah.rar
http://rapidshare.com/files/130032821/Garasi_-_Garasi_II_-_02_-_Tak_Ada_Lagi.rar
http://rapidshare.com/files/130036396/Garasi_-_Garasi_II_-_04_-_Duakan_Aku.rar
http://rapidshare.com/files/130045027/Garasi_-_Garasi_II_-_05_-_Salam_Untuk_Dia.rar
http://rapidshare.com/files/130041000/Garasi_-_Garasi_II_-_06_-_Ingin_Kau_Kembali.rar
http://rapidshare.com/files/130049643/Garasi_-_Garasi_II_-_07_-_Aggressive_Trance.rar
http://rapidshare.com/files/130051413/Garasi_-_Garasi_II_-_09_-_Posesif.rar
http://rapidshare.com/files/130059114/Garasi_-_Garasi_II_-_10_-_Nothing_s_Gonna_Last.rar
http://rapidshare.com/files/130062916/Garasi_-_Garasi_II_-_11_-_Utsurona_Kokoro__Lelah_Japan_Version_.rar

Prisa Self Title

2008-11-24T23:07:00.000-08:00

Track
01 - Bunuh Saja
02 - Senyawa Kisah
03 - Muka Dua
04 - Kesalahan Terbesar
05 - Harusnya Aku
06 - Rahasiaku
07 - I'll Always Love You Forever
08 - Penjara Cinta
09 - Maafkan Saya Sus ...
10 - Padahal Ku Selalu Ada

Code:

http://www.sendspace.com/file/1yyw5l
http://www.megaupload.com/?d=BGN9UH8W
http://rapidshare.com/files/132799797/Prisa_-_Self_Titled.rar

Opick Cahaya Hati

2008-11-24T22:32:00.000-08:00

Setelah sukses dengan tiga album terdahulunya, kini Opick kembali menyiapkan album baru bertajuk CAHAYA HATI, yang sekaligus menjadi single hit terbarunya. Ada 10 lagu dalam album barunya ini, di mana keseluruhan lagu ditulis Opick sendiri.
"Proses pengarapan memakan waktu enam bulan, di sini juga ada lagu duet dengan Amanda," terang Opick di sela pembuatan video klip di Gedung Arsip Kota Tua, Jakarta Utara (25/7).
Untuk penggarapan video klip, Opick masih mempercayakan kepada sutradara Hanung Bramantyo, sebagaimana albumnya terdahulu. Sementara model diisi Opick sendiri bersama Amanda.
Album yang direncanakan akan rilis pada 6 Agustus itu, tutur Opick merupakan album keempatnya, di mana sebelumnya album Istighfar (2005), Semesta Bertasbih (2006) dan Ya Rahman (2007) berhasil di pasar musik Indonesia.
Melalui lagu ini, pesan yang disampaikan menurut Opick lebih pada pengungkapan bahwa Allah maha dekat dengan hambanya dan penuh kasih sayang. Karenanya sebagai hamba wajib untuk mensyukurinya, terang pria asal Jember ini.
Dalam waktu dekat setelah launching, Opick juga merencanakan mengelar promo album, diperkirakan berlangsung menjelang bulan Romadhon mendatang. (Kapanlagi/kpl/ant/dar)

Track List:

Hanya Allah
Cahaya Hati
Ya Nabi Salam
Alangkah Indah
Cinta Setulus Jiwa
Hamba Hamba Allah
Ketika Cinta
Allah Ya Nur
Tuhan Lindungilah
Ramadhan Tiba

Code :

http://www.megaupload.com/?d=Q9X0363W
or
http://w15.easy-share.com/1701290955.html
or
http://rapidshare.com/files/138791083/Opick_-_Cahaya_Hati.zip
or
http://www.kitaupload.com/download.php?file=261Opick_Cahaya_Hati_2008.rar

Learn Acoustic Guitar Cords - Play Tons of Songs Fast

2008-10-14T21:06:00.000-07:00

First off, it is important to know what a acoustic guitar chord is. It is when you play three or more notes chords simultaneously that are “eligible” to be a chord.

A power chord is usually used in hard rock songs and usually uses 2 chords together. These can usually combine to equal incredible sounding notes even though they are only using two chords.

How to learn these chords?

First off, it is important to know how you can learn these chords. There are many different things you can do such as finding self help books that will support you when you are trying to learn chords! You can also find online website guide that will teach you various amounts of chords individually!

By finding the teaching method that suits you; you’ll be able to learn chords in no time. It’s a great option for anyone out there who is learning the guitar.

Self Help Guitar Books

You probably are searching for the self help guitar books that will ultimately help you out dramatically if you use them. One of the greatest books you can find; is going to your local Barnes and Nobles or even checking with Amazon.

This book is known as the Guitar Chord Encyclopedia which can be bought for a very cheap price. You’ll be able to hear and see the chords as you play them with the book.

Another great thing about this is that you can combine it with a online lesson software or a self-help guitar lesson tutorial that can boost your guitar learning abilities!

You’ll notice that you’ll hear a varying emotion with each chord that you strike. Some chords may be extremely pleasurable to the ears, give off positive emotions; while others are rather mellow and sad. Some chords you’ll just absolutely hate - just be sure to find the best chords that will suit you!

The most simple chords for you to learn in the beginning are going to be the major chords as opposed to the minor. The faster you can learn, the faster you can play the guitar

You also want to consider learning the guitar tabs as well; these can definitely boost your knowledge about learning the guitar as you will be able to know exactly where to place your hand, what note to play, how to play it, and when to play it - guitar tab (tablatures) will quickly allow you to play simple rock songs almost immediately!

Microphone Techniques For Acoustic Guitars

2008-10-14T21:05:00.000-07:00

Guitar is a very old musical instrument. It is normally played in an unplugged way. But when played in a show, a microphone is also used. Otherwise the sound will not reach every listener. Acoustic guitars have a unique sound.

Microphones sometimes cause different kinds of problems. And for that reason, the use of a proper microphone is ensured for acoustic guitars. Here we will talk about different microphone techniques for acoustic guitars.

The acoustic guitar delivers a varied range of frequencies. The range is from under 100hz to the extent which is not audible to human beings. The resonance of the largest string delivers low frequencies and the plucking system delivers the high frequencies. In most types of acoustic guitars, the sound hole generates the bass sound.

This instrument has always been so popular that people have thought of making some microphone which will not harm the sound of this instrument. And for this reason, a lot of experiments were made on microphones.

After a lot of experiments, dynamic and condenser microphones were made. These two microphones are suitable for acoustic guitars. But among these two, the condenser microphone delivers the most detailed and the brightest sound.

There are small and large diaphragm microphones available. Both of them are perfect for acoustic guitars. But while playing the lead portion of the acoustic guitar, if you stroke the string hard, then a sharp transient will be produced. It is louder than the sustain portion of the waveform. This will not sound well at the time of recording. So it will be better if you use the dynamic microphones for playing the lead portion.

To get a good sound out of the microphone, it is necessary to know where you should keep the microphone. If you keep the mike just in front of the sound hole, then the guitar will create a very dark, boomy sound. Just like that if you put it in front of the neck then it will produce a thin sound. Even the surrounded portion of the bridge will not be able to produce a proper sound, if you put the mike there.

Actually the proper microphone technique for acoustic guitars depends on the instrument itself and the playing pattern. That means it depends also on whether the instrument will be strummed or plucked, and on the music style and the recording place. The perfect place for a microphone is one to two feet away from the acoustic guitar. The mike must be pointing at a place somewhere between the sound hole and the very place where the neck of the guitar meets its body.

If you use a directional mike, then you have to adjust the distance, to make a balance between the proximity effect and the room ambiance. If you use an omni microphone for acoustic guitars, then you will be able to put it closer to the instrument and also will get a sound which is pretty much well balanced.

The most common microphone technique for acoustic guitars is the use of two microphones. One will be closer to the guitar and the other will be a bit far away.

But the interesting thing about microphone techniques is that you do not always have to use all these existing styles. You can try some technique of your own. And perhaps one day you will be able to make a microphone technique that will help many acoustic guitar players.

Rock Guitar Secrets (Tab & Audio)

2008-10-13T20:32:00.000-07:00

AMA Verlag | ISBN: 3927190624 | 184 pages | PDF/MP3 | 2 MB

Playing techniques, solo and improvisation concepts, exercises, licks and jam tracks for: warm ups, pentatonic scales, bending and vibrato techniques, blues scales, string skipping, major scales, alternate picking, modes, economy picking (sweeping), arpeggios, two-hand tapping, minor scales, legato techniques, exotic scales, whammy bar, how to build a solo, improvisation.

The ultimate guitarist's reference book with playing techniques, solo and improvisation concepts, exercises and jam tracks. The purpose of this book is to demystify the relatively simple concepts or tricks around which much of rock guitar is built. The book is designed modularly, allowing the reader to choose any topic at any time, but is can also be sequentially as a method. Topics includes warm-ups, pentatonic scales, bending and vibrato techniques, blues scales, string skipping, major scales, alternate picking, modes, economy picking (sweeping), arpeggios, two-hand tapping, minor scales, legato techniques, exotic scales, whammy bar, how to build a solo, practice planning, and improvisation. Each concept is discussed in a thorough and easily understandable manner. The accompanying CD includes over 80 licks and exercises plus more than 20 jam tracks, helping the student put the concepts directly into practice. In notation and tablature.

Link code

http://rapidshare.com/files/33666743/Rock_Guitar_Secrets.rar (39565 KB)

An Interview with Angus Young of ACDC

2008-10-12T22:13:00.000-07:00

SR: Maybe more than any other guitarist ever, you’re inextricably linked to the Gibson SG? What was the evolution that brought you to this particular instrument? AY I started playing on banjos and re-strung them up with six strings. [But] an acoustic guitar, an old bang up little ten-dollar job, that was probably the first thing I started playing on. Me brother Malcolm got a Hofner off of one of me other brothers and he got a Gretsch and passed the Hofner on to me after much squabbling. It was semi-acoustic and had all been packed with cotton. But I never used to really take it as a serious thing; I just used to fool around with it. When I was about 14 was when I really started playing it seriously. I got an amplifier for about sixty bucks that used to distort all the time. It was a Phi-Sonic. After that I got out and got a Gibson SG that I played until it got wood rot because so much sweat and water got into it. The whole neck warped. I bought it second-hand, it was about a ’67. It had a real thin neck, really slim, like a Custom neck. It was dark brown. After about a year, you lose about half the power in the pickups so you either get them re-wired or put new ones in. Just ordinary Gibsons.

SR: Did these early instruments still have that tremolo arm attached?

AY: They did but I took it off. I used to fool around with them but you begin sounding like Hank Marvin.

SR: And why did you remain loyal to the Gibson SG for the remainder of your career?

AY: It was light [weight-wise]. I’d tried the other ones, Fenders, but you’ve really got to do a number on ‘em. They’re great for feel but the wiring just doesn’t got the balls. And I don’t like putting those DiMarzios and everything because everyone sounds the same. All the other sort of Gibsons I tried like the Les Paul was too heavy. Hip displacement.

When I first started playing with the SG there was nothing to think about. I don’t know how this came about but I think I had a lot thinner neck. Someone once said to me they [Gibson] make two sized necks, one was 1 ½ and one was 1 ¼ and this was like 1 ¼, thin all the way up. Even now I still look all over and I still haven’t found one; I’ve been to a hundred guitar shops and I found the same guitar [model] but with different necks.

SR: Did you ever experiment with the Gibson SGs when they were called Les Pauls [Eric Clapton’s graphically appointed Cream-era guitar is probably the most famous representative of this model]?

AY: Yeah, I had a really old one I bought, a 1962. But it had a very fat neck; it was good to play but it felt heavier than all the other ones. That’s why I stopped using it. And when you’re running around a lot, it weighs you down.

SR: So from High Voltage on it’s always been the SG. Have you ever tried using more modern types of instruments?

AY: Yeah, I tried a Hamer but I wouldn’t buy an expensive guitar – especially in my case. It’s always getting beaten around. With the SG, you can do plenty of tricks with them.

SR: And you’ve been faithful to Marshall amplifiers as well?

AY: Ever since I’ve been in this band I’ve been using Marshalls. I’ve tried Ampeg and they weren’t too good for the sound I wanted.

On stage I have four stacks going, all hooked up with splitter boxes. 100-watt stacks … it’s good for your eardrums. I use a real lot of volume, I turn that up; I turn the treble and bass on about half and middle, the same. I don’t use any presence. If I don’t think it’s putting out enough top, I will kick up the presence.

With Marshalls, if you’re using a fair bit of volume, if you whack the treble and bass at half, that’s where they’re working. We get them from the factory, that’s what we do. We go down there and try them out and fool around with amps and tell them what we want and they doctor them up. At the moment, they’re all back to the old style of Marshalls, they’re very clean. They don’t have these master or preamp settings.

SR: You have entered the modern age of electronics in your use of a wireless system.

AY: Yeah, I use the Schaffer-Vega. I’ve been using that since ’77. On the receiver you’ve got like a monitor switch you can boost the signal and in the transmitter you’ve got the same sort of thing. You can really give a guitar hell with ‘em. I have used the remote in the studio and it worked really good. I don’t believe I’ve ever had a wah-wah or a fuzz box. It’s just the guitar and the amp and if I need anything, if someone says they want a different approach to the sound, then I’ll get it with the guitar.

The History of the Electric Guitar

2008-10-12T22:08:00.000-07:00

When most people think of electric guitars, they think of rock music. But electric guitars are more versatile than you’d think. You can find them in jazz, blues, country music, New-Age compositions, and even contemporary classical pieces. Electric guitars are intimately associated with many famous musicians of the twentieth century—and may be the iconic musical instrument of our time.

The demand for electric guitars came during the Big Band Era in the 20’s and 30’s. The big brass bands of the time were very loud, and other instruments had to be artificially amplified to stand up to their powerful sound. Performers experimented with attaching microphones to acoustic guitars. The first manufactured electric guitars were made in 1931 by the Electro String Instrument Corporation.

The first time an electric guitar is known to have been used in performance was in 1932. Bandleader Gage Brewer of Wichita, Kansas, received two electric guitars directly through Electro String Instruments, possibly for publicity purposes. Brewer wrote about the guitars in an article in the Wichita Beacon before the performance.

The earliest known recording of an electric guitar performance was produced in 1938. George Barnes, a jazz guitarist, recorded two songs with the guitar, called “It’s a Lowdown Dirty Shame” and “Sweetheart Land.”

The earliest electric guitars were essentially hollow-bodied acoustic guitars equipped with Tungsten pickups. The problem with hollow-body electric guitars is that the hollow space within the guitar produces vibrations when the strings are plucked or strummed. These vibrations account for the unique tone of an acoustic guitar, but they produce harsh feedback when they interact with the pickups in an electric guitar. Early electric guitar players used to stuff rags and newspapers into their hollow-body instruments in an attempt to get rid of the feedback.

One of the earlier solid-body guitars was an aluminium instrument known as the “Frying Pan” or “Pancake Guitar.” These guitars were said to have produced a sound similar to that of modern electric guitars.

Several other well-known luthiers experimented with solid-body guitars during the early history of the electric guitar. In 1940, during his time at Gibson Guitars, Les Paul attempted a solid-body instrument called the “log guitar,” so called because it was a simple post equipped with neck, strings, and pickups.

The electric guitar did not hit commercial success until the 1950’s, when Fender released its first solid-body model: the Esquire. The Esquire was followed by the Telecaster and finally, in 1954, the Stratocaster. The “Strat” was hailed in professional musical and luthier circles alike, and became a signature instrument of such famous musicians as Jimi Hendrix, George Harrison, David Gilmour, Eric Clapton, Jimmy Page, and many others.

The electric guitar produced an aggressive sound very different from the melodic and lyrical tones of its ancestor, the acoustic. The sound of the electric guitar became characteristic of rock and roll in the 60’s and 70’s. It was a high-profile instrument during this time, appearing on stage with hundreds of famous bands and musicians.

This created demand among the general public for affordable electric guitars. In the 60’s and 70’s, electric guitars were very expensive—too pricey for a buyer who wasn’t a famous musician. Although some companies attempted to fill the gap with cheap imitations, the sound of these guitars did not compare to the real thing.

It wasn’t until the 1980’s that Japanese manufacturers stepped forward with affordable electric guitars capable of professional-quality sound. This put pressure on American companies such as Gibson and Fender to provide their own affordable lines. Electric guitars became more and more successful in the consumer market as quality improved, and prices went down as new manufacturers entered the market. Soon, electric guitars were more accessible than they had ever been.

Today, the electric guitar is one of the most prolific instruments in popular music. You can find it in a wide variety of genres, from metal to New Age. You can also buy an electric guitar like the rock stars have—without paying the prices they pay. Because it’s so common in contemporary music and in the hands of amateur musicians, there’s little doubt that the electric guitar is one of the most successful instruments of the twentieth century.

Rock Pop Music

2008-10-12T22:04:00.000-07:00

Rock pop music is a style of popular music with an outstanding vocal melody accompanied by guitar, drums, and bass. Many forms of rock music also use keyboard instruments such as organ, piano, mellotron, and synthesizers. Other instruments sometimes employed in rock include harmonica, violin, flute, banjo, melodica, and timpani. Besides, rare stringed instruments such as mandolin and sitar are used. Rock pop music normally has a strong back beat, and often revolves around the guitar, either solid electric, hollow electric, or acoustic.

Rock pop music has its origin in 1940s and 1950s rock and roll and rockabilly, which developed from blues, country music and other influences. The All Music Guide opines that rock and roll in its purest form has three chords, a strong, insistent back beat, and a catchy melody. Initially,rock & roll took from a variety of sources, mainly blues, R&B, and country, but also gospel, traditional pop, jazz, and folk. All of these impact combined in a simple, blues-based song structure that was not only fast and catchy but also foot tapping.

In the late 1960s, rock pop music was combined with folk music ,blues and jazz to create folk rock, blues-rock and jazz-rock fusion respectively.It created psychedelic rock music irrespective of the time. In the 1970s, rock incorporated influences from soul, funk, and latin music. During the 1970s, a number of subgenres of rock, such as soft rock, heavy metal, hard rock, progressive rock, and punk rock was created. Synth-rock, hardcore punk and alternative rock were the sub genres of rock pop music that was developed in the 1980s whereas, rock subgenres in the 1990s included grunge, Britpop, indie rock, and nu metal.

A rock band or rock group is a group of musicians specializing in rock pop music . Most of the rock groups consist of a guitarist, lead singer, bass guitarist, and drummer, forming a quartet. Few groups may skip one or more of these roles and make use of a lead singer who can play an instrument while singing, forming a trio or duo; others include additional musicians such as one or two rhythm guitarists and/or a keyboardist. Seldom, groups also employ stringed instruments such as violins or cellos, or horns like trumpets or trombones.